Thrash metal cut straight to cassette in a one-car garage. Downpicked until the wrist gives out, dubbed on a dual deck, photocopied at 2 a.m. If you got this flyer, you're on the trade list.
tap the tape ↑
rewind with a pencil like everyone else
Every J-card cut, pasted and photocopied by hand — no photos, no stock art, all ink. Send two blanks and postage, get two back.
Seven tracks in twenty-nine minutes. Tracked live to 4-track over one long weekend — two takes max, the fastest one wins.
Curfew Breaker · demo '26
C-30 chrome cassette · hand-numbered J-card · run of 100
Dubbed March 2026 · trade only — don't ask about money
All ages unless the hall says otherwise. Bring earplugs, bring a blank tape, bring somebody who's never heard thrash.
Want a show in your town? — a garage, a hall, a barn with power. See booking below. PA optional, aggression mandatory.
It started with a pawn-shop guitar, a dual cassette deck, and a copy machine that didn't count pages. It never really got more complicated than that.
Isaac Saults plays thrash the way it got traded before anyone was watching: fast, ugly on purpose, and passed hand to hand. Raised on the first four Metallica records and everything Mustaine spat back at them, he tracks every demo himself in the garage — guitars, bass, a drum kit held together with gaffer tape.
Every tape is dubbed one at a time on the same deck. Every J-card is a photocopy of a photocopy. If a riff survives the third generation of tape hiss, it stays. If it doesn't, it wasn't fast enough.
Booking a show, joining the tape trade list, or you found a dubbed copy of a dubbed copy and want to know where it came from — same mailbox for all of it.
Every message gets read. Replies come typed, occasionally with a free sticker in the envelope of the internet.